Abstract
Using Rashed’s collection Lā Maṣnavī Insān as a point of reference, Shams ur Rehman Faruqi discusses Rashed’s exceptional ability to use language to create particular and sound rhythm that not only compliments the poet’s flow but also enhances meaning in his poetry. Faruqi argues against the censure by critics on the ambiguous element in Rashed’s poetry.
Author(s):
Shamsur Rahman Faruqi
Poet, Author, Critic and TheoristShamsur Rahman Faruqi was a distinguished Urdu critic, poet, fiction writer, and theorist. His works span over different genres, from literary history and criticism to poetry and fiction. Considered an authority on llm-e bayan (the science of poetic discourse) and classical poetry, he was also a noted lexicographer. Faruqi’s book Ka’i Chaand the Sar-e Asmaan, written in 2006, has been hailed as a masterpiece of Urdu fiction. An English version of this book, called Mirror of Beauty, was published in 2013. He also translated his stories into English which are included in a book titled The Sun Rose from the Earth. He has also been credited with spearheading the revival of the Dastangoi style of storytelling in India. He was awarded the Saraswati Samman for his work She`r-e Shor-Angez, a study of the major eighteenth-century poet Meer Taqi Meer.
India
Details:
| Type: | Article |
| Volume: | 1 |
| Issue: | 1 |
| Language: | Urdu |
| Id: | 5f840d0d55906 |
| Pages | 9 - 36 |
| Published | July 24, 2010 |

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