- Bunyad - A Journal of Urdu Studies, Vol # 5, Issue # 1
- سلیم احمد، تیس سال بعد
سلیم احمد، تیس سال بعد
- Shamsur Rahman Faruqi/
- August 24, 2014
Saleem Ahmad: Thirty Years Later
This article re-evaluates Saleem Ahmad’s place as a poet. Shamsur Rahmān Farūqī argues that Saleem Ahmad’s poetry did not receive the attention it deserved. It was overshadowed by his critical writings and his status as a critic. Only the sensational element in his poetry was highlighted whereas other qualities were pushed into the background. Saleem Ahmad’s rejection of conventional characteristics of the ghazal is deemed to be a significant contribution to the genre. He freed the ghazal of its passive, self-immolating character and chose his themes from his very own milieu, along with adding a creative use of new metaphors. Farūqī places Salīm Ahmad among the top ranking ghazal writers in history.
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Author(s):

Shamsur Rahman Faruqi
Poet, Author, Critic and TheoristShamsur Rahman Faruqi was a distinguished Urdu critic, poet, fiction writer, and theorist. His works span over different genres, from literary history and criticism to poetry and fiction. Considered an authority on llm-e bayan (the science of poetic discourse) and classical poetry, he was also a noted lexicographer. Faruqi’s book Ka’i Chaand the Sar-e Asmaan, written in 2006, has been hailed as a masterpiece of Urdu fiction. An English version of this book, called Mirror of Beauty, was published in 2013. He also translated his stories into English which are included in a book titled The Sun Rose from the Earth. He has also been credited with spearheading the revival of the Dastangoi style of storytelling in India. He was awarded the Saraswati Samman for his work She`r-e Shor-Angez, a study of the major eighteenth-century poet Meer Taqi Meer.
India
Details:
Type: | Article |
Volume: | 5 |
Issue: | 1 |
Language: | Urdu |
Id: | 5f8e04c47688a |
Pages | 357 - 372 |
Published | August 24, 2014 |
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